- For those who haven’t been keeping up with the newest hit show to come out of Netflix, Riverdale is a teen drama based on the characters of the Archie comic books. As far as I can tell (having not read the Archie comics), Riverdale is only very loosely based on the comics, and the characters bear only nominal relation to their comic book counterparts. Still, I think Riverdale is a fantastic show in its own right, perhaps because it uses the source material as a springboard rather than a script—you don’t have to have read the comics (as I haven’t) to love it, and the fundamentals of the characters and the setting are used to create what is practically an original and interesting story.
- I would describe Riverdale as high school teen drama meets 1950s/grunge aesthetic meets Pretty Little Liars style murder mystery. It’s an interesting combination, but it makes for really addicting viewing. It’s a good thing Netflix is releasing the episodes week-to-week rather than all at once (as it typically does), because otherwise I’d probably have binge-watched the whole thing in one or two days.
- The murder mystery aspect of the story—the mysterious death of Jason Blossom—is obviously the focus of the plot, and intriguing mystery it certainly is, but the show would be so much less interesting if not for the absorbing characters and the character dynamics. Riverdale has a cast of fantastically interesting characters, particularly the eminently ship-worthy main group of Archie, Betty, Veronica, Jughead and Cheryl. As a teen drama, obviously the character dynamics and the relationships and possible relationships between the characters is a huge part of the show, which has already cycled through more ships than I can count, and with such engaging main characters it’s difficult not to be swept up in the character drama and shipping fever.
- The show explores some interesting themes, albeit themes typical of teen dramas (or at least the more intelligent ones, which I’m gratified to say includes Riverdale): most notably the extent to which children reaching maturity are defined by their parents or their families and the expectations of their families. Most of the main characters—Betty, Archie, Veronica, Cheryl, Josie, even Veronica’s mother Hermione—have to deal in some way with a conflict between what they want for themselves or who they want to be, and what their elders want for them/who their elders want them to be. It’s a common teen drama trope, but it’s a good one, and Riverdale explores it through its characters well.